Current and Upcoming Projects:

14 Plots (Spill No. 0650898), (Location: 62-64 Scio St., Rochester, NY)
Opening October 4, 2019
Commissioned by Rochester Contemporary Art Center as part of Current Seen 

Rabbit Island Residency, Lake Superior, Michigan 
August 7-25, 2019
-Article by Leah Collins in CBC Arts

Recent Press and Exhibitions:

Landscapes & the Unbuilt, Rochester Contemporary Art Center, Rochester, NY
February 1 - March 16, 2019
Curated by Bleu Cease

Prototypes for the Preservation of Degradation, Two Rivers Gallery, Prince George, BC
October 19, 2018 - January 6, 2019
Curated by George Harris
-Article by Frank Peebles in the Prince George Citizen

The Deep Cut Restoration Laboratory installed at I&M Canal Lock no. 1, Lockport, Illinois
In Residence: July 15 - August 6, 2018
Commissioned by The Gaylord Building (The National Trust for Historic Preservation)
Funded by the National Endowment for the Arts
Curated by Jared Packard

9th International Printmaking Biennial Douro 2018, Douro, Portugal
August 10 – October 31, 2018
Curated by Nuno Canelas

-Contingency Plan featured in Full Bleed Journal of Art & Design

Transference, Richmond Art Gallery, Vancouver, BC
January 13 - March 18, 2018
Curated by Hannamari Jalovaara

The Contemporary Print: PrintAustin 2018, Flatbed Press, Austin, Texas
January 20 - February 18, 2018
Curated by Paul Laidler

-Canadian Art features "10 Artist Who Are Reinventing History"

3rd Global Print, Coa Museum, Foz Côa, Portugal
August 1 – September 30, 2017
Curated by Nuno Canelas

Grant Wood Fellowship Exhibition, CSPS Hall, Cedar Rapids, Iowa
(with Tameka Norris and Christopher Rasheem-McMillan) 
April 20 - June 25, 2016
-Article by Alisdair Wilkins on Vocativ

A Modern Cult of Monuments, SNAP, Edmonton, Alberta
October 13 - November 24, 2016

Art in Print selects Time Machine for Abandoned Futures as 'Prix de Print'. (Essay by Chang Yuchen)

A Modern Cult of Monuments, Article Inc., Windsor, Ontario, 
April 29 - June 11, 2016

A Modern Cult of Monuments, aceartinc. Winnipeg, Manitoba
March 4 - April 1, 2016  
-Review by Steven Leyden Cochrane in Akimbo 
-Review by Dagmara Genda in Magenta Magazine 
-Essay by Alexis Kinloch

A Modern Cult of Monuments, Centre[3] for Print and Media Arts, Hamilton, Ontario
January 8 - February 20, 2016
-Essay by Tara Bursey. "Right to Ruin"

A Modern Cult of Monuments, Circa Art Actuel, Montreal, Quebec
August 29 - October 3, 2015
-Essay by Geneviève Goyer-Ouimette. "archéologue du futur" (Trans. Jennifer Macklem)

Time Machine for Abandoned Futures, (The Natural & The Manufactured Thematic Project)
Klondike Institute of Art & Culture, Dawson City, Yukon
Residency: July 7–August 17 / Exhibition: August 7-17, 2015
-Post Exhibition Interview with Courtney Holmes

Time Machine for Abandoned Futures, Kamloops Art Gallery (The Cube), Kamloops, BC  
March 28 - June 13, 2015

Automatic Ruins, SPACES, Cleveland, Ohio
November 14, 2014 - January 16, 2015  
-Article by Kristen Mott in Canvas Magazine 
-Review by Josh Usmani in Cleveland Scene

Automatic Ruins, OBORO, Montreal, Quebec  
March 8-April 12, 2014  
-Review by Jerome Delgado in Le Devoir 
-Essay by Pascal Dufaux. "Vestiges Automatiques", (Trans. Oana Avasilichioaei)

Beyond Street-lit Roads, Platform Stockholm, Stockholm, Sweden,  
(with Peter von Tiesenhausen and Sara Anne Johnson) 
February 8 - March 8, 2014
-Essay by Aileen Burns & Johan Lundh