Recent Press and Exhibitions:

-Canadian Art features "10 Artist Who Are Reinventing History"

3rd Global Print, Coa Museum, Foz Côa, Portugal
August 1 – September 30, 2017
Curated by Nuno Canelas

Grant Wood Fellowship Exhibition, CSPS Hall, Cedar Rapids, Iowa
(with Tameka Norris and Christopher Rasheem-McMillan) 
April 20 - June 25, 2016
-Article by Alisdair Wilkins on Vocativ

A Modern Cult of Monuments, SNAP, Edmonton, Alberta
October 13 - November 24, 2016

Art in Print selects Time Machine for Abandoned Futures as 'Prix de Print'. (Essay by Chang Yuchen)

A Modern Cult of Monuments, Article Inc., Windsor, Ontario, 
April 29 - June 11, 2016

A Modern Cult of Monuments, aceartinc. Winnipeg, Manitoba
March 4 - April 1, 2016  
-Review by Steven Leyden Cochrane in Akimbo 
-Review by Dagmara Genda in Magenta Magazine 
-Essay by Alexis Kinloch

A Modern Cult of Monuments, Centre[3] for Print and Media Arts, Hamilton, Ontario
January 8 - February 20, 2016
-Essay by Tara Bursey. "Right to Ruin"

A Modern Cult of Monuments, Circa Art Actuel, Montreal, Quebec
August 29 - October 3, 2015
-Essay by Geneviève Goyer-Ouimette. "archéologue du futur" (Trans. Jennifer Macklem)

Time Machine for Abandoned Futures, (The Natural & The Manufactured Thematic Project)
Klondike Institute of Art & Culture, Dawson City, Yukon
Residency: July 7–August 17 / Exhibition: August 7-17, 2015
-Post-Exhibition Interview with Courtney Holmes

Time Machine for Abandoned Futures, Kamloops Art Gallery (The Cube), Kamloops, BC  
March 28 - June 13, 2015

Automatic Ruins, SPACES, Cleveland, Ohio
November 14, 2014 - January 16, 2015  
-Article by Kristen Mott in Canvas Magazine 
-Review by Josh Usmani in Cleveland Scene

Automatic Ruins, OBORO, Montreal, Quebec  
March 8-April 12, 2014  
-Review by Jerome Delgado in Le Devoir 
-Essay by Pascal Dufaux. "Vestiges Automatiques", (Trans. Oana Avasilichioaei)

Beyond Street-lit Roads, Platform Stockholm, Stockholm, Sweden,  
(with Peter von Tiesenhausen and Sara Anne Johnson) 
February 8 - March 8, 2014
-Essay by Aileen Burns & Johan Lundh